Topic : “Middlemarch” as a study of
Provincial Life
Name : Chauhan Sejal Arunbhai
Subject: The Victorian Literature
Paper : 6
Roll no: 28
M.A. Part - I Sem -II
Year: 2013- 15
Submitted to : Heenamem
“MIDDLEMARCH”
AS A STUDY OF PROVINCIAL LIFE
COMPREHENSIVE
AND VIVID PICTURE :-
The novelist has called the novel Middlemarch, and also
given it a subtitle , a Study of Provincial Life. The title is an appropriate
one, for the novel gives us a realistic,
vivid and comprehensive picture of provincial life of England as it was in the
years immediately preceding the Reform Act, 1832. The picture is so vivid and
comprehensive, that it has been said that if there is any hero in the novel it
is the society of Middlemarch. The novelist has drawn heavily on her memories
of early girlhood and this accounts for the truthfulness and vividness of her
portrait of provincial life. In the1830,s provincial life was the same in every
part of England for the railways had not yet destroyed rural isolation and seclusion.This
makes George Eliot’s Study of provincial
life a microcosm of the provincial life of England. Great public events of the
day, like the agitation preceding the Reform Act, “ from merely a very faint
background music to the absorbing local interest”.
A BOOK ABOUT PEOPLE, NOT PLACES :-
The action of the novel takes place in Middlemarch or the
neighbouring parishes of Tipton, Lowick or Freshitt. The locale of Middlemarch has been left vague and
indistinct, though it is generally identified with the town of Coventry in the
Midlands. This is so because it is a novel about people and not about places or
ideas. Says ROBERT SPEAIGHT
“there are comparatively few passage of natural description, and these
are generally relevant to the emotional mood. We remember the long alleys and
melancholy trees of Lowick because they were the scenes of Dorothea’s
disillusionment. But, in general we walk or drive from one modest red-brick
house or one hospitable rectory to another, and only rarely drop in at the
‘local’ for the gossip which GEORGE ELIOT, when she wanted to, could so
liberally dispense”. The setting is at once ample and plain. It is a world of
family circles and fragile reputations ; and no scene is more skillfully
managed than poor Mrs Bulstrode’s round of visit to her friends . The pitiless
self-protection of society is here relentlessly exposed.
LANDSCAPE OF OPINION :-
The canvass of the
novel is a crowded one. A host of characters, belonging to every profession,
age-group and walk of life have been brought in, and through their actions and
interactions life in a limited region-Middlemarch and its environs- has been
faithfully recorded. Not even the minor characters are superfluous, for they
serve to illuminate some one aspect or the other of provincial life of the time.
As QUENTIN ANDERSON points out,” it is a landscape of opinion”, and not any
natural landscape, which is dominated in the novel.
A CONSERVATIVE, TRADITION BOUND SOCIETY :-
This limited, isolated community has certain well-marked
characteristics. For one thing, it is deeply conservative. Everything new,
every hint of change, is looked upon with suspicion. Railways which are yet
distant and far off, are regarded as a threat to the agricultural way of life.
Class distinctions are taken for granted, and every class carries with it , its
own privileges. Class privileges protect a person, even when he or she behaves
in a way inappropriate for the class to which he or she belongs. Thus Mrs.
Cadwallader, a lady of high birth, descended from the nobility, haggles and
bargains with common traders and cuts jokes with them, but nobody thinks of the
worse of her for these reasons. The class to which she belongs shields her
effectively. It never crosses the mind
of Mr. Brooke, or anybody else, that his activities in favour of the Reform
Bill could work in the direction of reducing his hereditary privileges as a
landowner. Nor does Lydgate see the slightest incongruity between his professional ambitions, his deep interest n science, and
his traditional gentlemanly way of life, for which carelessness about small
sums of money is essential.
STRESS ON BIRTH AND FAMILY BACKGROUND :-
As A.O.J.Cockshut points out in Middlemarch society, Birth
still counts for a good deal, but money is more important; the strength of the
position of a man like Mr. Brooke is that he combines both advantages, and has
never really been forced into the recognition that the advantages are
separable. But others are; Lydgate a man of family, is compelled to beg money
from the very middle-class has its gradations, and in reckoning these money is
always more important than education or culture. People related by marriage may
be separated by economic differences, like the Vincy and the Bulstrodes. And
George Eliot is keenly aware of the perennial tendency of the sons and
daughters of the merchant class is to hanker after upper class status. Dim,
ill-directed efforts of this sort induce Fred Vincy to go in for riding,
horse-trading, and dull, sporting dinners. The trouble about setting up to be
gentlemanly is that it costs money and very few ways f earning money are
regarded as indisputably gentlemanly. Perhaps only one, the Church, is
completely above reproach.That is why Fred’s relation all want him to adopt
this profession for which, as he eventually comes to feel under Mary Garth’s
influence, he is manifestly unfitted.
MONEY,RANK AND STATUS : SOCIAL CLIMBING :-
Money is all important, and different attitudes towards
money reveal the moral bent or orientation of different characters. But rank
and status are of still greater importance and characters strive to climb to a
higher rank. Rosamond Vincy is a great social climber ; ‘the aroma of rank’
fascinates her . She is attracted to Lydgate , not for any of the qualities for
which he is really admirable , but for his good family connections in
Northumberland . Marriage is for her , more than anything else , a ladder by
which to climb as far away as possible from the merchant class. The idea of
professional status is not much developed. A doctor or a lawyer is only another
sort of tradesman ; so it is part of Rosamond’s acuteness and sensitiveness in
matter of rank that she immediately recognizes in Lydgate the man of family
that very few doctors would have been .
TRADE AND BUSINESS :-
But there are also those honest workmen who are devoted ‘
to their own trade and business , who do not hanker after social rank , to whom
the aristocratic way of life is something they neither like nor understand .
Caleb Garth is the best representative of this class .
“
His classification of human employments was rather crude……..... He divided them
into business , politics preaching , learning and amusement . He had nothing to
say against the last four ; but he regarded them as a reverential pagan
regarded other gods than his own . In the same way he thought very well of all
ranks , but he would not himself have liked to be of any rank in which he had
not such close contact with business as to get often honourably decorated with
marks of dust and mortar , the damp of the engine , or the sweet soil of the woods and fields . “ It is a nice irony
if the class system that Fred Vincy disgusts his middleclass father by tacking
work under this excellent businessman , and thus renouncing upper-class
ambitions . The mixture of tolerant superiority and occasional contempt felt
even for the substantial middle class by the gentry is well shown at various
places. Mr Brooke, for example , does not like that his two nieces should meet
the daughter of a mere manufacturer , except only on public occasions .
DISTURBING INFLUENCES :-
Middlemarch society is tradition-bound , unchanging and
conservative . But from time disturbing influences appear and disturb its calm
, placid , day to day life . Lydgate is
one of such factor because his gentlemanly connections and high social origin are felt to be inconsistent with his role as
a professional man . He is a medical man , but medical man are considered on a
footing with the servants . Miss.Dorothea Brooke is another disturbing
influence . She feels strong sympathy for Lydgate’s aspirations . Belonging by
birth to the highest rank of local society , she is totally oblivious of class
differences. For her the confining bonds of society are due to her sex , not to
her class. For all her idealism and lack of conventional feeling , she hardly
wishes to go against thetraditional view of what is fitting for a women. Thus
all her high-flown schemes take the form of
persuading or inspiring or helping some man to achieve something notable
in the world.
CONVENTIONAL VIEW OF WOMANHOOD :-
Her sister is a good representative of the kind of woman
who is entirely happy with the feminine,
nursery world. Their uncle , as usual, unconsciously expresses the conventional view with perfect
exactness when he says to Casaubon , Dorothea’s husband : “ Get Dorothea to
read few light things , Smollett : Roderick Random, Humphrey clinker ; they are
a little broad , but she may read anything now she’s married , you know”. That
is , everything for a woman , even her reading , and much more any public acts,
depends on marriage . Such is the view of womanhood in this provincial society.
They are expected to obey and fall in line, as Mary Evans herself was expected
to do as a girl.
A FEUDAL
SOCIETY IN A STATE OF DECAY :-
However, this provincial society is not static. It is in a
stage of transition. It is a feudal society in a stage of decay . The poor
tenants are already raising their voice against their landlords, demanding
better conditions of living, and passing judgments on their landlords , whom
they had so far served and obeyed like slaves . Thus Mr.Hawley regards
Mr.Brooke to be a “ damned bad landlord “, and Dingley speaks of the Reform
Bill which he hopes will do away with bad landlords .Rumblings are heard of the
great national events , like the Luddite movement and machine-breaking ,the
advance of the railways , the immanent dissolution of the Parliament and the
Reform Bill agitation. All these are as yet far off, distant events , but they
are ominous portents of the decay of the old economic and social order.
Feelings have undergone a seachange, though the old order still continues.
CONFLICT OF THE OLD AND THE NEW : RELIGIOUS
CONFLICTS :-
In the social fabric , there is a conflict between the old
and the new. The old is yet dominated , but it would gradually give way to the
new, and by 1870, when Middlemarch was published, it was clear that the future
lay with the new . This conflict between the old and the new, this decay and
dissolution of the old dispensation and transition to the new , is seen even
more clearly in the field of religion . There are two forms of religious
traditions. One is the practical , kindly, undogmatic tradition of Anglicanism
, the best representative of which is Mr.Farebrother. They believe in doing a
good turn a kindly , humane act , and do not bother much about the theoretical
questions of right and wrong . Such men were more interested in conduct than in
faith ; they had a respected position in the structure of society, which
enabled them, to some extent, to mitigate the rigours of class difference. Even
when comparatively poor, they were accepted by the gentry as one of themselves,
but they knew where the shoe pinches for their uneducated parishioners.
Sometimes, like Farebrother, they were men of deep intellectual interests; and
were the sort of men who to-day would be university or sixth-form teachers.
THE RISE OF EVANGELICALISM:-
The other religious tradition, much more vehement and
fanatical, is loosely called Evangelical. By the year 1830, the Evangelical
movement was nothing new, but such is the conservation of the Middlemarchers
that they regard it as something new and
are suspicious of it. Bulstrode and Tyke are the representative of this sect.
Evangelicals laid stress on the strict adherence to religious dogma. They made
a rigid distinction between those who had received divine Grace and those who
had not. They believed in the doctrine of the original sin, and that all men
were consequently depraved, till they received divine Grace and were controlled
and guided by His Will. The Evangelicals thought that they were the chosen of
God, and so would never admit that there was any evil in them. Thus they were
self-righteous, firmly convinced of the rightness of their conduct, and
critical of others who did not belong to their sect.
In
Middlemarch, the two sects are in conflict, and the older is suspicious of the
new. Says A.O.J. Cockshut , ‘’ The relations between the Evangelicals and the
old-fashioned, decent, traditional Anglicanism is well given in the exchange
between Mr Vincy and Bulstrode at the end of chapter 13. Mr Vincy is asking
Bulstrode to give Mr Featherstone a certificate that Vincy’s son had not been borrowing money on the
doubtful security of his expectations from Featherstone’s will. Bulstrode
accuses Vincy of ‘’worldliness and inconsistent folly’’, and asks how he can
give a certificate in proof of a negative proposition about which he can have no
certainty. This combination of high spiritual talk with reluctance to do a kind
action to help a friend angers Vincy, striking him as typical of Evangelical
cant. He says: ‘I used to be before doctrines came up. I take the world as I
find it, in trade and everything else. I’m contented to be no worse than my
neighbours.’’
This exchange , which should be
studied in full, gives the essence of the mutual misunderstanding. For Vincy,
and even for the clergyman Ferebrother, religion is a kind of seal or sanction
upon decent behavior; it is a social guarantee of the moral values of civilized
life. For Bulstrode religion is , in principle , the mainspring of every
thought and action. But in the case of a coarse and grasping man, like
Bulstrode, this enthusiasm contains within it a terrible trap.
A SOCIETY ON THE MARCH :-
Plain, old-fashioned Anglicans , like the Vincys and
Farebrothers, have a feeling that Evangelicals are gaining all the time. Their
fears and doubts are voiced in the novel on a number of occasions. For example
we are told,
“
The Vincys had the readiness to enjoy, the rejection of all anxiety, and the
belief in life as a merry lot , which made the house exceptional in most
country towns at that time , when Evengelicalism had cast a certain suspicion
over the few amusements which survived in the provinces. At the Vincys there
was always whist……….”
For the profoundly conservative Mrs.Farebrother, the
decline of the old eighteenth-century version of Anglicanism and changes in the
class system are closely linked :
“
When I was young , Mr.Lydgate , there never was question about right and wrong
. We knew our catechism, and that was enough; we learned our creed and our duty
. Every respectable Church parson had the same opinions. But now , if you speak
out of the Prayer-book itself you are liable to be contradicted…..It was not so
in my youth ; a Churchman was a Churchman , and a clergyman , you might be
pretty sure , was a gentleman , if nothing else “. Some of the Evangelican
school, in reality, were gentleman born to high position; but George Eliot does
not show us man like these, who were certainly exceptional. She shows us the
more characteristic type of self-made business men; who saw, or imagined that
they saw , a link between their economic individualism and the intensely
personal , at times sophistic , quality on Evangelical religion .
Mrs.Farebrother’s instincts about the way the world was are
sound. The old is giving way to the new in every direction. The old in
religious, social and economic sphere is decaying and disintegrating, and the
new is gradually taking its place . Society is on the march and this sense of
movement is skillfully conveyed by the novelist.
A MELANCHOLY PICTURE : ITS SOLIDITY AND COMPLEXITY :-
R.H.Hutton regards George Eliot’s picture of provincial
life as a very melancholy one , and this melancholy is rooted in the very
design of the book .
“ It
is a world not in sympathy with lofty aspiration for her to give such a
solidity and complexity to her picture of the world by which her hero’s
heroine’s idealism was to be more or less tested and partly subjugated ,as
would justify the impression that she understood fully the character of the
struggle . We doubt if any other novelist , who ever wrote , could have
succeeded equally well in this melancholy design , could have framed as
complete a picture of English country and country-town society , with all its
rigidities , jealousies and pettiness , with its thorough good nature , stereotyped
habits of thought , and very limited accessibility to higher ideas , and have
threaded all these picture together by a story , if not of the deepest interest
, still admirably fitted for its peculiar purpose of showing how unplastic is such an age as ours to the glowing emotion
of an ideal purpose”.
CONCLUSION :-
In short, Middlemarch is such a great novel because of the
solidity , vividness , truthfulness and comprehensiveness of the picture of
provincial life presented in the novel. This makes it a valuable social
document which tells us more about the real , day to day , common , provincial
life of England in the 1830’s , than any book of history.


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